![]() ![]() The Shakespeare Outreach Director at the Robinson Community Learning Center, she sees a connection between today’s students and Farkle’s attempt to find his identity. “The opening is, ‘Pity the prodigy, Farkle McBride!’ We wouldn’t think to pity the prodigy, but it’s looking at, ‘Where do I fit?’ Sometimes being good at something isn’t enough. “It’s almost like the age-old adage about having everything you want, and it’s not,” Burgess says. The Shakespeare Outreach Director at the Robinson Community Learning Center in South Bend, Christy Burgess will narrate "The Remarkable Farkle McBride" during the South Bend Symphony Orchestra's performance March 6 at the University of Notre Dame's DeBartolo Performing Arts Center. That’s what it was originally intended to do, and knowing that, when I hear it, it fills me with pride and gratitude.” “I think the mood of Copland’s fanfare, when I hear it, I feel a sense of power and I feel the majesty of the musical phrase,” Willis says about the traditional, orchestral version. ![]() singles chart in 1977 with a version of it that Copland praised in an interview just before his death. It also has been used by the Chicago Blackhawks in its video introduction of the team, and John Williams based the main themes for 1978’s “Superman” on it.īut one of its most famous uses happened when the British progressive rock group Emerson, Lake & Palmer hit No. In May 2014, for example, the New York Philharmonic performed it at the dedication of the 9/11 Museum in Manhattan. “It’s an iconic American fanfare,” Willis says, “connected with patriotism.” The brass section takes center stage for Aaron Copland’s “Fanfare for the Common Man,” a piece Copland wrote at the request of Eugene Goossens, conductor of the Cincinnati Symphony Orchestra, as one of 18 fanfares he commissioned in 1942 to support the war effort, something he had done in Britain during World War I. It’s “fiendishly virtuosic, a chance for the orchestra to really shine,” Willis says. #Farkle mcbride tvThe “most virtuosic bumblebee in musical history,” as Willis calls it, follows with “Flight of the Bumblebee” from Nikolai Rimsky-Korsakov’s “Tale of the Tsar Saltan” opera.Ĭharlie Chaplin’s “The Gold Rush,” Disney’s “Fantasia,” “The Green Hornet” radio and TV series, and “Kill Bill” have all made use of it. The string section - particularly the violin - takes the spotlight next, with the first movement of the “Spring” concerto from Vivaldi’s “The Four Seasons.” According to IMDb, the “Spring” movement has appeared in such films as “A View to a Kill,” “Pretty Woman,” “Up Close and Personal,” “Spy Game” and “Tropic Thunder.” To see these 60 people make these incredible sounds is an educational moment and a fascinating moment.”įrench and Silk Road connections: South Bend Symphony focuses on climate change with 'Terra Nostra' “But to see the string players play it and to see the intensity of the trumpeters is different. “Perhaps it’s important to know the real source of a piece of art,” Willis says. ![]() The overture’s finale, which also figures prominently in the film adaptation of “A Clockwork Orange,” opens with a thrilling theme from the trumpets that heralds the action to come and then goes on to feature the entire orchestra. “Everyone will recognize it but hearing it and seeing it played by an orchestra as opposed to a masked man on a white horse is a completely different experience.” “I grew up hearing that and thinking it was the ‘Lone Ranger’ theme and had no idea it was by an Italian composer,” Willis says. The concert, however, opens with one of the most famous uses of classical music as a film or television theme: the finale of Gioachino Rossini’s “William Tell” Overture. ![]() The first five works on the program are short and popular pieces that have all been used in film and television productions, although Dmitri Kabalevsky’s aptly named “Galop” from “The Comedians” suite might not be as familiar as the other four: The percussion-centered work served as the theme song for the game show “Masquerade Party” in the 1950s and during its one-season revival in the 1970s. South Bend Symphony Orchestra Music Director Alastair Willis calls the SBSO's Family Concerts "probably the most important" concerts the orchestra performs because they expose children to the orchestra and classical music. ![]()
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